ART
Learning through material and repetition.
My visual work moves between graphite, charcoal, tattoo practice and miniatures. Each medium asks for a different kind of control, but the underlying process remains observation, repetition and refinement.
DRAWING · TATTOO PRACTICE · PHYSICAL CRAFT
Learning to see more clearly.
Drawing is where I slow down and study form, value, texture and edges.
Graphite & Charcoal
The work moves between detailed graphite pieces, smaller observational studies and early charcoal exploration—using each drawing to better understand light, structure and controlled transitions.
Faber-Castell Graphite · Strathmore Bristol · Charcoal · Paper
Rebuilding control, one study at a time.
After first learning tattooing more than two decades ago, I have returned to the practice through synthetic-skin studies—rebuilding control in linework, black-and-grey shading and composition.
Linework · Pepper Shading · Whip Shading · Composition
Synthetic Practice Skin · Black & Grey Ink
Dimensional form and surface.
Moving from two dimensions into physical objects, resin and paint.
Miniatures & 3D Prints
Printing, preparing and painting physical figures combines technical process with slower material decisions around surface, colour, contrast and wear.
Resin and FDM Printing · Preparation · Acrylic Painting · Miniatures
Some pieces are finished. Others exist to teach me what to do next.
The practice develops through observation, repetition and the willingness to begin again in a different material.